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The Merriam-Webster Thesaurus Review

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I purchased the Thesaurus for my Granddaughter to use in school this year.
She was very delighted to get The Merriam-Webster Thesaurus she also said it will be very helpful when writing her papers.

The Merriam-Webster Thesaurus Feature

• Satisfaction Ensured
• Design is stylish and innovative.
• Functionality that is Unbeatable.

The Merriam-Webster Thesaurus Overview

More than 150,000 synonyms, antonyms, related and contrasted words, and idioms. Alphabetically organized for ease of use. Abundant usage examples. Brief definitions describe shared meanings. Sans serif font.

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A Million Little Pieces Review

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I loved this book and James Frey’s unique writing style. As a child and sibling to a drug addict and alcoholic I found James recovery to be realistic and found myself with some understanding of the difficulty one may face to live a clean life and face emotions head on without covering them up with mind altering substances.

Although it has come out that some of the book is fiction I found many parts believeable and rooting for James to make it in life and to tackle his addictions and overcome his old ways of pulling away from those he loves and not facing his emotions.

I also found James Frey’s writing style very refreshing! His style tends to show intense feelings and vulnerability. The book was an easy read that I could not put down and was anxious to read the next book that follows “My Friend Lenord”. Highly recommended!!

A Million Little Pieces Feature

• ISBN13: 9781565117778
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A Million Little Pieces Overview

A searing and controversial story of drug and alcohol abuse and rehabilitation, told with the charismatic energy of Kesey’s One Flew Over the Cuckoo’s Nest and the revelatory power of Burroughs’ Junky.

By the time James Frey enters a drug and alcohol treatment facility, he has so thoroughly ravaged his body that the doctors are shocked he is still alive. Inside the clinic, he is surrounded by patients as troubled as he: a judge, a mobster, a former world-champion boxer, and a fragile former prostitute. To James, their friendship and advice seem stronger and truer than the clinic’s droning dogma of How to Recover.

James refuses to consider himself a victim of anything but his own bad decisions. He insists on accepting sole accountability for the person he has been and the person he may become—which he feels runs counter to his counselor’s recipes for recovery. He must fight to survive on his own terms, for reasons close to his own heart. And he must battle the ever-tempting chemical trip to oblivion.

A Million Little Pieces Specifications

From Doubleday & Anchor Books

The controversy over James Frey’s A Million Little Pieces has caused serious concern at Doubleday and Anchor Books. Recent interpretations of our previous statement notwithstanding, it is not the policy or stance of this company that it doesn’t matter whether a book sold as nonfiction is true. A nonfiction book should adhere to the facts as the author knows them.

It is, however, Doubleday and Anchor’s policy to stand with our authors when accusations are initially leveled against their work, and we continue to believe this is right and proper. A publisher’s relationship with an author is based to an extent on trust. Mr. Frey’s repeated representations of the book’s accuracy, throughout publication and promotion, assured us that everything in it was true to his recollections. When the Smoking Gun report appeared, our first response, given that we were still learning the facts of the matter, was to support our author. Since then, we have questioned him about the allegations and have sadly come to the realization that a number of facts have been altered and incidents embellished.

We bear a responsibility for what we publish, and apologize to the reading public for any unintentional confusion surrounding the publication of A Million Little Pieces.

Amazon.com
The electrifying opening of James Frey’s debut memoir, A Million Little Pieces, smash-cuts to the then 23-year-old author on a Chicago-bound plane “covered with a colorful mixture of spit, snot, urine, vomit and blood.” Wanted by authorities in three states, without ID or any money, his face mangled and missing four front teeth, Frey is on a steep descent from a dark marathon of drug abuse. His stunned family checks him into a famed Minnesota drug treatment center where a doctor promises “he will be dead within a few days” if he starts to use again, and where Frey spends two agonizing months of detox confronting “The Fury” head on:

I want a drink. I want fifty drinks. I want a bottle of the purest, strongest, most destructive, most poisonous alcohol on Earth. I want fifty bottles of it. I want crack, dirty and yellow and filled with formaldehyde. I want a pile of powder meth, five hundred hits of acid, a garbage bag filled with mushrooms, a tube of glue bigger than a truck, a pool of gas large enough to drown in. I want something anything whatever however as much as I can.

One of the more harrowing sections is when Frey submits to major dental surgery without the benefit of anesthesia or painkillers (he fights the mind-blowing waves of “bayonet” pain by digging his fingers into two old tennis balls until his nails crack). His fellow patients include a damaged crack addict with whom Frey wades into an ill-fated relationship, a federal judge, a former championship boxer, and a mobster (who, upon his release, throws a hilarious surf-and-turf bacchanal, complete with pay-per-view boxing). In the book’s epilogue, when Frey ticks off a terse update on everyone, you can almost hear the Jim Carroll Band’s brutal survivor’s lament “People Who Died” kicking in on the soundtrack of the inevitable film adaptation.

The rage-fueled memoir is kept in check by Frey’s cool, minimalist style. Like his steady mantra, “I am an Alcoholic and I am a drug Addict and I am a Criminal,” Frey’s use of repetition takes on a crisp, lyrical quality which lends itself to the surreal experience. The book could have benefited from being a bit leaner. Nearly 400 pages is a long time to spend under Frey’s influence, and the stylistic acrobatics (no quotation marks, random capitalization, left-aligned text, wild paragraph breaks) may seem too self-conscious for some readers, but beyond the literary fireworks lurks a fierce debut. –Brad Thomas Parsons

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Portrait of the Artist as a Young Man (James Joyce Archive) Review

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In PAAYM we have the artist-hero,given a mythical name,Dedalus.There is really only one character,Stephen himself, and we see the world through his consciousness, other characters only impinge upon his mind. The girl,E.C., whom Stephen watches on the beach provides him with the epiphany that determines him to be an artist..There is an arrogance to the title,the mythicisation,the ambition:”to forge in the smithy of my soul the uncreated conscience of my race”.But this is accepted by the reader who has been taken through the developing stages of his consciousness.Stephen becomes Daedalus,the master-craftsman who in his daring and ambition partook of the Promethean.

Joyce gives a precise portrait of the artist as a young man,with the tension between his ambition and what,in the novel,he has actually achieved:the novel as dramatic poem.Like the `God of creation’,Joyce is quite outside this and`remains within or behind or beyond or above his handiwork, invisible,refined out of existence, indifferent, paring his finger-nails.’There is a struggle against forces-family,Church and state-that threaten to stifle his development.Concomitant with the movement outward from Ireland,is the movement downward into myth.On a superficial level Stephen is dissociating himself;on a deeper level he is becoming a creature of myth.This decision-systemization-led onto Ulysses.Stephen Daly became Stephen Dedalus.Joyce was determined to emerge from the groove of previous literature.

He gives the picture of infant consciousness,with tastes,touches and smells all distinct if not yet understood.The narrative is not sequential but a hodgepodge of memories due to Stephen’s fever,early schooldays,holidays at home, rendered discontinuously and with intensity.The great injustice inflicted by Father Dolan makes Stephen a victim, who becomes heroic,whose protest against unjust pandying at a Jesuit school is a prelude to larger protests against Church and State.Joyce makes his (and modernism’s) 1st employment of interior monologue,the stream-of-consciousness technique,moving through a range of more complex styles,which chronicle the development of his consciousness and culminates in meditations on the aesthetics of Aristotle and Aquinas and a commitment to an art based on`silence,exile and cunning’.The novel becomes a manifesto for the task of Ulysses.

The novel brings out well that his rebellion against Irish life and R/C religion did not stop their deep influence,substituting art for religion;and turning ideas of mass and substantiation into the `epiphany’ of literature,everyday life into art:’the spiritual eye seeks to adjust its vision to an exact focus’.Passionate intellectual argumentation has remarkable emotional force.He renders the’luminous silent stasis of aesthetic pleasure..the supreme quality of beauty,the clear radiance of the aesthetic image..arrested by its wholeness..fascinated by its harmony..the enchantment of the heart’.That Joyce lived out the conclusion of the novel’s `non serviam’ vow increases his achievement of the non-juring exile of extreme self sufficiency in his encounter with `the reality of experience’.Because he is dealing with the prurient Victorian world of his adolescence the preoccupation with guilt and fear and growing sexuality play a major part:a sermon on hell,a visit to a prostitute,masturbation.

Joyce’s poems are like songs,he had an auditory imagination,he was a singer:Joyce lived in a world of words,words as sounds,divorced that is from meaning,using verbal association.There is the hypnotic use of repetition,chains of association are built up,words of sensory significance deliberately used to work on our subconscious minds.The relationship develops between author and object rather than author and reader.This equates the prose with the experience or replaces the experience with the prose.This makes the work self-conscious,deliberate,stylistically akin to Flaubert.He captures subjective experience through language rather than the actual experience through prose narrative(Cf.Stephen Hero).I prefer this and Dubliners to Ulysses.

Portrait of the Artist as a Young Man (James Joyce Archive) Overview

Published in 1916, A Portrait Of The Artist As A Young Man follows the progress of Stephen Dedalus from infancy to early manhood. The richness of the language and Joyce’s mastery of literary style as he describes the Dedalus family, young Stephen’s education by the Jesuits, his sexual awakening, his intellectual development and his eventual revolt against the religion in which he has been raised have ensured the novel’s place as one of the masterpieces of twentieth-century literature.

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Step-Up to Medicine (Step-Up Series) Review

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If you are nervous about the internal medicine shelf, you are just like I was and rightfully so. It is a very difficult exam that covers an enormous amount of material. For a 3rd year medical student, this is a great source to start internal medicine. The text is all written in bullet points, but isn’t nearly as rigged is its grammatical delivery as other books written in similar formats. It has “quick hit” items in the side that allow for understanding key points, and it leaves plenty of margin room to take notes. However, this book has some major down points that really keep it from being truly grand. For starters, it is lengthy! Although I did read the entire book, I found most of my friends stopping it and using it as a reference because they were just too busy to get through it. Even going through it once will take at least half of the clerkship. Some might consider it advantageous to have such a long book because it covers more for the test, but I myself would have been happier with a book that minimized the information that I already knew from 2nd year and maximized what I really needed to focus on (i.e. managing patients and working up conditions). Unfortunately that is where this book just misses the parade! All conditions are well described, but there is a complete lack of how to work up the condition. It gives clinical signs/symptoms, but totally lacks in its ability to approach a problem by crossing off conditions from differential diagnosis. Essentially, your ability to work up conditions will be impaired. The other kicker is that its formal lack of algorithmic approaches to treating conditions. Some conditions have good explanations, not great, on how to treat and others have pitting lack information. Often times the treatment section of a disease is list of drugs that might potentially be used in a condition. It gives no approach on how to use these drugs effectively or any kind of algorithm on how to treat the condition with the possible therapies. The mishaps in this book, unfortunately, paid there toll on my shelf examination, and I ended up just shy of what I really needed. Overall, it is an excellent source, but if you think that you can function as a intern with this book, think again! As a side note, to remedy the lack of treatment information in this book, I would recommend going through the pocket medicine book by Mass. General. It really picks up where this book lacks, but it may be to complicated for some. In retrospect, I wish that I would have read through the Washington Manuel, which really isn’t any longer than this book, and I would have felt like I was a real intern and more prepared for the shelf.

Step-Up to Medicine (Step-Up Series) Overview

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The Last Man (Second Edition) (Beyond Armageddon) Review

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I recall seeing a “Twilight Zone” episode close to fifty years ago, about a man who really wanted to be alone. He got his wish when a nuclear war wiped out everyone else. He was quite happy at this state of affairs, migrating to the New York library to spend the rest of his life reading all the books. Unfortunately, he tripped on the steps and broke his thick reading glasses. So much for solitary bliss.

Being the last man on earth is once again a hot topic, with two recent movies addressing the issue. I Am Legend is set to enter theatres on Dec. 14, and as of Late November of 2007, a movie based upon The Last Man is in Post Production. The movie updates the setting of The Last Man to take into consideration the technology advances of the past two centuries plus the seventy-odd years that will take place before the novel’s action begins. Looking at the trailer, however, it appears that technological accuracy is the only improvement made to Ms. Shelley’s novel. For those interested, information on the movie can be viewed at their website.

Reading Mary Shelley’s The Last Man will, if nothing else, send you running to your history books to find out, among other things, when Napoleon waged his wars for world domination (the battle of Waterloo took place in 1815-eleven years before The Last Man was published), when English Monarchs became more of a figurehead than a ruler (1867), and when Jules Verne first wrote about traveling in a balloon (Five Weeks in a Balloon in 1863, Around the World in Eighty Days in 1872), and what type of plague would kill a person before the sun goes down on his first sick day.

As in Frankenstein Mary Shelley shows herself as a sci-fi pioneer and visionary with enough political savvy to know that the strife between Christian and Muslim would not be resolved even two hundred years into the future. She also envisioned that in this distant future, we would not be safe from disastrous epidemics, although she did not suggest that germ warfare (rather than a natural spread of disease) might be the culprit. Her visions of balloon travel as a means of rapid transit predates Jules Verne by forty years, which helps us forgive the fact that in her story ground transport, even for kings, consisted of horseback or carriage.

The Last Man was published about four years after the death of Mary’s husband, Percy Bysshe Shelley. Shelley drowned when his boat sank, a boat that Mary claims was not seaworthy, although a sudden squall might have caused the boat to capsize. Her husband’s death in 1822 happened the same year that a miscarriage nearly took her own life and only two years after her half sister and Percy’s ex-wife both committed suicide. One can see why Shelley’s world-view might have been depressing, and The Last Man reflects this.

The story begins with a visit to a cave in which an unidentified narrator visits Naples in 1818, finding a manuscript in an inaccessible cave. The manuscript appears to be from the future, from the year 2079, and is written by one Lionel Verney, a close friend of the English king and Brother-in-Law to the greatest General since Napoleon. Verney will become the last man to inhabit the earth.

We follow Verney’s manuscript from his early roots as a poverty-stricken orphan to his friendship with the heir-apparent to the throne of England and to a military campaign with his Brother-in-Law into plague-stricken Turkey, a campaign which touches off the worldwide plague that wipes out the human population of the Earth.

As much as I like and admire The Last Man as a visionary work, I also found a lot to dislike. I have read several books about real and fictional plagues, and have come to expect that one would at least see a description of what a plague victim experiences when in the throes of the disease. Shelley describes very little beyond a fever and a quick death. I would imagine that she was vaguely describing Pneumonic Plague, a mutation of Bubonic Plague that takes the pathogen airborne and which can kill in a matter of hours.

I also disliked Shelley’s annoying habit of describing the outcome before she describes the action. I spent a lot of reading time backtracking because I was certain I missed something, since I seemed to have found out what was going to happen before I was supposed to. Our protagonist beset with grief, but I couldn’t figure out why. As I read on, I discovered the reason for the grief, but since I already knew something bad was going to happen, the reading was more depressing than suspenseful.

On the up side, Mary Shelley’s gifted use of the English language was perhaps better in this work than in Frankenstein. Also to her credit, Shelley, perhaps because of her many tragic experiences, quite accurately captures and expresses the angst of mourning. The Last Man was not Frankenstein, but if you have the patience to read it, you will find its mysterious makeup rather interesting.

The Last Man (Second Edition) (Beyond Armageddon) Feature

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The Last Man (Second Edition) (Beyond Armageddon) Overview

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Zen and the Art of Motorcycle Maintenance: 25th Anniversary Edition Review

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Robert M. Pirsig’s Zen and the Art of Motorcycle Maintenance is a great read. I recommend this book to anyone who enjoys a non-fiction philosophical novel.
Zen and the Art of Motorcycle Maintenance is an autobiography, allowing Pirsig to narrate his own life experiences. Along with sharing his motorcycle trip with his son Chris and some friends, he mainly focuses on what quality is. What is quality and how do you define it? He believes that it doesn’t exist. In this certain area of the book it is harder to comprehend, but he does prove a good point that I agree with. He goes into great detail explaining his belief that quality is something made up, and he actually gets pretty emotional about it as he struggles to find the truth. On top of all of this, Robert Pirsig is schizophrenic, dealing with his battling alternate personality, Phaedrus.
Some weaknesses I found include going into too much detail about some ideas; they seemed unnecessary. He drifted into too much detail about some philosophical ideas and terms that the reader wouldn’t be prepared for and didn’t explain them well enough. Also, at the end of the book, his Phaedrus personality actually takes over; however, throughout the book he reflects back on how he was a student in India and his experience there, but that was his alternate personality. Since he went through electroshock therapy, there is no way he could have remembered any experiences Phaedrus went through.
Though he couldn’t have remembered these things as Phaedrus, Pirsig does do a good job at helping the reader understand what he’s going through as he battles his alternate personality. As mentioned before, he reflects on his experiences in India and has multiple dreams about those experiences. Though he wants to deny it, his son Chris also struggles as he tries to figure out if there is something wrong with his dad; asking questions and reflecting on good times in the past with his father makes his dad realize that it was Phaedrus that experienced those good times. Along with this, the reader is able to understand how Chris feels about the whole situation: he wants his dad back, you know, the dad that he has great times with and loves so much . . . Phaedrus.
This book really makes the reader think about how to find truth and if quality actually exists. It also lets the reader take an adventure inside the narrator’s mind as he battles against his schizophrenia disease. I recommend this book to anyone who loves to think. As Pirsig himself writes, “The place to improve the world is first in one’s own heart and head and hands, and then work outward from there”.

Zen and the Art of Motorcycle Maintenance: 25th Anniversary Edition Overview

The narration of a summer motorcycle trip undertaken by a father and his son becomes a text which speaks directly to the confusions and agonies of existence, detailing a personal, philosophical odyssey.

Zen and the Art of Motorcycle Maintenance: 25th Anniversary Edition Specifications

In his now classic Zen and the Art of Motorcycle Maintenance, Robert Pirsig brings us a literary chautauqua, a novel that is meant to both entertain and edify. It scores high on both counts.

Phaedrus, our narrator, takes a present-tense cross-country motorcycle trip with his son during which the maintenance of the motorcycle becomes an illustration of how we can unify the cold, rational realm of technology with the warm, imaginative realm of artistry. As in Zen, the trick is to become one with the activity, to engage in it fully, to see and appreciate all details–be it hiking in the woods, penning an essay, or tightening the chain on a motorcycle.

In his autobiographical first novel, Pirsig wrestles both with the ghost of his past and with the most important philosophical questions of the 20th century–why has technology alienated us from our world? what are the limits of rational analysis? if we can’t define the good, how can we live it? Unfortunately, while exploring the defects of our philosophical heritage from Socrates and the Sophists to Hume and Kant, Pirsig inexplicably stops at the middle of the 19th century. With the exception of Poincaré, he ignores the more recent philosophers who have tackled his most urgent questions, thinkers such as Peirce, Nietzsche (to whom Phaedrus bears a passing resemblance), Heidegger, Whitehead, Dewey, Sartre, Wittgenstein, and Kuhn. In the end, the narrator’s claims to originality turn out to be overstated, his reasoning questionable, and his understanding of the history of Western thought sketchy. His solution to a synthesis of the rational and creative by elevating Quality to a metaphysical level simply repeats the mistakes of the premodern philosophers. But in contrast to most other philosophers, Pirsig writes a compelling story. And he is a true innovator in his attempt to popularize a reconciliation of Eastern mindfulness and nonrationalism with Western subject/object dualism. The magic of Zen and the Art of Motorcycle Maintenance turns out to lie not in the answers it gives, but in the questions it raises and the way it raises them. Like a cross between The Razor’s Edge and Sophie’s World, Zen and the Art of Motorcycle Maintenance takes us into “the high country of the mind” and opens our eyes to vistas of possibility. –Brian Bruya

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Toni Morrison’s Sula (Bloom’s Modern Critical Interpretations) Review

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Despite its similarities to Morrison’s other novels, Sula is a powerful novel that deals with the themes of good versus evil, family, friendship and racism in a poor community. In Sula, Morrison is able to portray good and evil in a not so “black and white” way. Her complicated friendships and relationships leave the readers questioning who was right and who was wrong. Morrison’s ability to develop such vivid and lively characters allows her to develop clear and powerful themes throughout the novel

Toni Morrison’s Sula (Bloom’s Modern Critical Interpretations) Overview

Morrison’s rich tale of two women who grow estranged.

The title, Toni Morrison’s Sula, part of Chelsea House Publishers’ Modern Critical Interpretations series, presents the most important 20th-century criticism on Toni Morrison’s Sula through extracts of critical essays by well-known literary critics. This collection of criticism also features a short biography on Toni Morrison, a chronology of the author’s life, and an introductory essay written by Harold Bloom, Sterling Professor of the Humanities, Yale University.

Toni Morrison’s Sula (Bloom’s Modern Critical Interpretations) Specifications

Toni Morrison’s highly acclaimed novel Sula is as gripping on audiotape as it is on paper. The Nobel Prize-winning writer narrates the unabridged version of the book in a rich, soothing voice that mesmerizes listeners with its relaxed and methodical cadence. Sula revolves around the relationship between two little girls growing up in a poor, black neighborhood nestled high in the hilltops. “The Bottom,” as the barrio came to be known, is brimming with eccentric residents but sadly deprived of human warmth. (The town actually takes pride in celebrating National Suicide Day.) However, out of this bitter, abrasive environment grows a beautiful friendship between Sula and Nel. Their shared secrets and dreams blossom through childhood, but their special bond suffers after the two separate. Sula leaves the Bottom to conquer the unknown cities of America, while Nel becomes a homebody, settling down as a wife and mother. When Sula returns to her hometown, she feels like a stranger; she repels everyone, even the only true friend she ever knew. Morrison’s vocal range evokes an extraordinary atmosphere of survival in a harsh and unforgiving world. (Four cassettes; running time: aprox. four hours)

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11 Practice Tests for the SAT & PSAT, 2011 Edition (College Test Preparation) Review

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11 Practice Tests for the SAT & PSAT, 2011 Edition (College Test Preparation) Feature

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11 Practice Tests for the SAT & PSAT, 2011 Edition (College Test Preparation) Overview

Get the book that gives  you plenty of practice and much, much, more! 11 Practice Tests for the SAT and PSAT, 2011 Edition, includes :

• 11 Total Practice Tests—10 for the SAT and 1 for the PSAT
• Detailed answers & explanations for every question
• Overview of SAT basics and content
• Key information about SAT scoring and SAT myths
• Online score reports show your strengths and weaknesses
• Helpful information about paying for college and college admissions
• Access to online essay grading by a Princeton Review teacher

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The Trojan women of Euripides Review

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The Trojan women of Euripides Overview

In his clear preface, Gilbert Murray says with truth that _The Trojan Women_, valued by the usage of the stage, is not a perfect play. “It is only the crying of one of the great wrongs of the world wrought into music.”

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How to Live a Holy Life Review

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How to Live a Holy Life Overview

In doing anything it is always well to have a model by which to fashion our work. In fact nothing is done without a pattern either real or imaginary. The little boy making a toy has in in his mind a model by which he is framing his work. Likewise the sculptor has in his mind a model and as the ¿marble wastes the image grows¿ into the likeness of the vision in his soul.

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